Catherine Parr

Catherine Parr
Catherine Parr from NPG.jpg
Queen consort of England and Ireland
Tenure 12 July 1543 – 28 January 1547
Born c. August 1512
Blackfriars, London, England
Died 5 September 1548[1] (aged 36)
Sudeley Castle, Gloucestershire, England
Burial
St Mary's Chapel, Sudeley Castle
Spouses
    (m. 1529; d. 1533)
      (m. 1534; d. 1543)
        (m. 1543; d. 1547)
          Issue Mary Seymour
          Father Sir Thomas Parr
          Mother Maud Green
          Religion Protestant
          Signature Catherine Parr's signature

          Catherine Parr (sometimes alternatively spelled Katherine, Katheryn, Kateryn or Katharine; c. August 1512 – 5 September 1548[1][2]) was Queen of England and Ireland as the last of the six wives of King Henry VIII from their marriage on 12 July 1543 until Henry's death on 28 January 1547. Catherine was the final queen consort of the House of Tudor, and outlived Henry by a year and eight months. With four husbands, she is the most-married English queen. She was the first woman to publish an original work under her own name in English in England.[3]

          Catherine enjoyed a close relationship with Henry's three children, Mary, Elizabeth, and Edward. She was personally involved in the education of Elizabeth and Edward. She was influential in Henry's passing of the Third Succession Act in 1543 that restored his daughters Mary and Elizabeth to the line of succession to the throne.[4] Catherine was appointed regent from July to September 1544 while Henry was on a military campaign in France and in case he lost his life, she was to rule as regent until Edward came of age. However, he did not give her any function in government in his will. She assumed the role of her stepdaughter Elizabeth's guardian following the King's death.

          On 25 April 1544, she published her first book, Psalms or Prayers, anonymously.[5] Her book Prayers or Meditations became the first book published by an English queen under her own name on 2 June 1545. She published a third book, The Lamentation of a Sinner, on 5 November 1547.

          On account of Catherine's Protestant sympathies, she provoked the enmity of anti-Protestant officials, who sought to turn the King against her; a warrant for her arrest was drawn up, probably in the spring of 1546.[6] However, she and the King soon reconciled.

          After King Henry's death in 1547, Catherine was allowed to keep the queen's jewels and dresses as queen dowager. About six months after Henry's death, she married her fourth and final husband, Thomas Seymour, 1st Baron Seymour of Sudeley. The marriage was short-lived, as she died on Wednesday, 5 September 1548 due to complications of childbirth.[1][7] Parr's funeral was held on 7 September 1548.[8] Parr's funeral was the first Protestant funeral in England, Scotland or Ireland to be held in English.[7]

          Early life and adolescence

          Catherine Parr was the eldest child of Sir Thomas Parr, lord of the manor of Kendal in Westmorland, (now Cumbria), and Maud Green, daughter and co-heiress of Sir Thomas Green, lord of Greens Norton, Northamptonshire, and Joan Fogge. Sir Thomas Parr was a descendant of King Edward III, and the Parrs were a substantial northern family which included many knights. Catherine had a younger brother, William, later created first Marquess of Northampton, and younger sister, Anne, later Countess of Pembroke. Sir Thomas was a close companion to King Henry VIII, and was rewarded as such with responsibilities and/or incomes from his positions as Sheriff of Northamptonshire, Master of the Wards, and Comptroller to the King, in addition to being the lord of Kendal. Catherine's mother was a close friend and attendant of Catherine of Aragon, and Catherine Parr was probably named after Queen Catherine, who was her godmother.[9]

          She was born in 1512, probably in August.[10] It was once thought that Catherine Parr had been born at Kendal Castle in Westmorland. However, at the time of her birth, Kendal Castle was already in very poor condition.[11] During her pregnancy, Maud Parr remained at court, attending the Queen, and by necessity the Parr family was living in their townhouse at Blackfriars. Historians now consider it unlikely that Sir Thomas would have taken his pregnant wife on an arduous two-week journey north over bad roads to give birth in a crumbling castle in which neither of them seemed to spend much time.[12][13] Catherine's father died when she was young, and she was close to her mother as she grew up.[14]

          Catherine's initial education was similar to other well-born women, but she developed a passion for learning which would continue throughout her life. She was fluent in French, Latin, and Italian, and began learning Spanish after becoming queen.[15] According to biographer Linda Porter, the story that as a child, Catherine could not tolerate sewing and often said to her mother "my hands are ordained to touch crowns and sceptres, not spindles and needles" is almost certainly apocryphal.[16]

          First marriage (1529–1533)

          In 1529, when she was seventeen, Catherine married Sir Edward Burgh (pronounced and sometimes written as Borough), a grandson of Edward Burgh, 2nd Baron Burgh. Earlier biographies mistakenly reported that Catherine had married the older Burgh.[17][18] Following the 2nd Baron Burgh's death in December 1528, Catherine's father-in-law Sir Thomas Burgh was summoned to Parliament in 1529 as Baron Burgh.[17]

          Catherine's first husband was in his twenties and may have been in poor health. He served as a feoffee for Thomas Kiddell and as a justice of the peace. His father also secured a joint patent in survivorship with his son for the office of steward of the manor of the soke of Kirton in Lindsey. The younger Sir Edward Burgh died in the spring of 1533, not surviving to inherit the title of Baron Burgh.[17][13]

          Lady Latimer (1534–1543)

          Following her first husband's death, Catherine Parr may have spent time with the Dowager Lady Strickland, Katherine Neville, who was the widow of Catherine's cousin Sir Walter Strickland, at the Stricklands' family residence of Sizergh Castle in Westmorland (now in Cumbria). In the summer of 1534, Catherine married secondly John Neville, 3rd Baron Latimer, her father's second cousin and a kinsman of Lady Strickland. With this marriage, Catherine became only the second woman in the Parr family to marry into the peerage.[19]

          The twice-widowed Latimer was twice Catherine's age. From his first marriage to Dorothy de Vere, sister of John de Vere, 14th Earl of Oxford, he had two children, John and Margaret. Although Latimer was in financial difficulties after he and his brothers had pursued legal action to claim the title of Earl of Warwick, Catherine now had a home of her own, a title and a husband with a position and influence in the north.[19]

          Annulment of Catherine of Aragon's marriage

          Latimer was a supporter of the Catholic Church and had opposed the King's first annulment, his subsequent marriage to Anne Boleyn, and the religious consequences. In October 1536, during the Lincolnshire Rising, Catholic rebels appeared before the Latimers' home, threatening violence if Latimer did not join their efforts to reinstate the links between England and Rome. Catherine watched as her husband was dragged away. Between October 1536 and April 1537, Catherine lived alone in fear with her step-children, struggling to survive. It is probable that, in these uncertain times, Catherine's strong reaction against the rebellion strengthened her adherence to the reformed Church of England.[19] In January 1537, during the uprising known as the Pilgrimage of Grace, Catherine and her step-children were held hostage at Snape Castle in North Yorkshire. The rebels ransacked the house and sent word to Lord Latimer, who was returning from London, that if he did not return immediately they would kill his family. When Latimer returned to the castle, he managed to talk the rebels into releasing his family and leaving, but the aftermath was taxing on the whole family.[19]

          The King and Thomas Cromwell heard conflicting reports as to whether Latimer was a prisoner or a conspirator. As a conspirator, he could be found guilty of treason, forfeiting his estates and leaving Catherine and her step-children penniless. The King himself wrote to Thomas Howard, 3rd Duke of Norfolk, pressing him to make sure Latimer would "condemn that villain [Robert] Aske and submit to our clemency".[20] Latimer complied. It is likely that Catherine's brother William Parr and his uncle, William Parr, 1st Baron Parr of Horton, who both fought against the rebellion, intervened to save Latimer's life.[19]

          Although no charges were laid against him, Latimer's reputation, which reflected upon Catherine, was tarnished for the rest of his life. Over the next seven years, the family spent much of their time in the south. In 1542, the family spent time in London as Latimer attended Parliament. Catherine visited her brother William Parr, 1st Marquess of Northampton and her sister Anne Parr, Countess of Pembroke at court. It was here that Catherine became acquainted with her future fourth husband, Sir Thomas Seymour. The atmosphere of the court was greatly different from that of the rural estates she knew. There, Catherine could find the latest trends, not only in religious matters, but in less weighty secular matters such as fashion and jewellery.[19]

          By the winter of 1542, Lord Latimer's health had worsened. Catherine nursed her husband until his death in 1543. In his will, Catherine was named as guardian of his daughter, Margaret, and was put in charge of his affairs until his daughter's majority. Latimer left Catherine the manor of Stowe House and other properties. He also bequeathed money for supporting his daughter, and in the case that his daughter did not marry within five years, Catherine was to take £30 a year out of the income to support her. Catherine was left a rich widow, but after Lord Latimer's death she faced the possibility of having to return north. It is likely that Catherine sincerely mourned her husband; she kept a remembrance of him, his New Testament with his name inscribed inside, until her death.[19]

          Using her late mother's friendship with Henry's first queen, Catherine of Aragon, Catherine took the opportunity to renew her own friendship with the former queen's daughter, Lady Mary. By 16 February 1543, Catherine had established herself as part of Mary's household, and it was there that Catherine caught the attention of the King. Although she had begun a romantic friendship with Sir Thomas Seymour, the brother of the late queen Jane Seymour, she saw it as her duty to accept Henry's proposal over Seymour's. Seymour was given a posting in Brussels to remove him from the king's court.[citation needed]

          Queen of England and Ireland

          Six Wives of Henry VIII
          (by years of marriage)
          Catherine of Aragon
          (1509–1533)
          Anne Boleyn
          (1533–1536)
          Jane Seymour
          (1536–1537)
          Catherine Howard
          (1540–1542)
          Catherine Parr
          (1543–1547)
          The Melton Constable or Hastings portrait of Queen Catherine[21]

          Catherine married Henry VIII on 12 July 1543 at Hampton Court Palace. She was the first Queen of England also to be Queen of Ireland following Henry's adoption of the title King of Ireland. Catherine and her new husband shared several common royal and noble ancestors, making them multiple cousins. By Henry's mother and Catherine's father they were third cousins once removed sharing Ralph Neville, 1st Earl of Westmorland, and Lady Joan Beaufort (granddaughter of Edward III) and by their fathers they were double fourth cousins once removed, sharing Thomas Holland, 2nd Earl of Kent (son of Joan of Kent) and Lady Alice FitzAlan (granddaughter of Henry, 3rd Earl of Lancaster) and John of Gaunt, 1st Duke of Lancaster (son of Edward III) and Katherine Swynford.[citation needed]

          On becoming queen, Catherine installed her former stepdaughter, Margaret Neville, as her lady-in-waiting, and gave her stepson John's wife, Lucy Somerset, a position in her household.[19] Catherine was partially responsible for reconciling Henry with his daughters from his first two marriages, and also developed a good relationship with Henry's son Edward. When she became queen, her uncle Lord Parr of Horton became her Lord Chamberlain.[citation needed]

          Parr's Psalms or Prayers taken out of Holy Scriptures, was printed by the King's printer on 25 April 1544. It was an anonymous translation of a Latin work by Bishop John Fisher (c. 1525) that had been reprinted on 18 April 1544. Fisher had been executed in 1535 for refusing to take the oath of supremacy, and his name does not appear on the title page. Parr’s volume appeared as preparations for war were being finalised and it served as a powerful piece of wartime propaganda designed to help Henry win the war against France and Scotland via the prayers of his people.[22] The volume contains seventeen “Psalms,” focused largely on defeating enemies, and it concludes with “A Prayer for the King,” derived from a prayer for the Holy Roman Emperor by Georg Witzel,[22] and “A Prayer for Men to Say Entering into Battle,” a translation of a prayer by Erasmus.[23] Parr paid for deluxe gift copies of the book which were distributed at court, and the “Ninth Psalm” was set to pre-existing music by Thomas Tallis and was likely performed as part of special wartime ceremony at St. Paul's Cathedral on 22 May 1544.[24] Parr's “A Prayer for the King” had an important afterlife. In 1559, it was edited and inserted into the Book of Common Prayer, probably by Elizabeth who was then Supreme Governor of the Church of England. This prayer remains in the Book of Common Prayer and is still used to pray for Elizabeth II by Anglican communities around the globe.[25]

          Henry went on his last campaign to France from July to September 1544, leaving Catherine as his regent. Because her regency council was composed of sympathetic members, including her uncle Thomas Cranmer (the Archbishop of Canterbury) and Lord Hertford, Catherine obtained effective control and was able to rule as she saw fit. She handled provision, finances, and musters for Henry's French campaign, signed five royal proclamations, and maintained constant contact with her lieutenant in the northern Marches, Lord Shrewsbury, over the complex and unstable situation with Scotland. It is thought that her actions as regent, together with her strength of character and noted dignity, and later religious convictions, greatly influenced her stepdaughter Lady Elizabeth (the future Elizabeth I of England).[26]

          Parr's second publication, Prayers or Meditations, appeared in June 1545, and like her first book, it was a bestseller.[27] In this case, Parr's compositional method was a complex one as she reworked the third book of Thomas à Kempis's Imitatio Christi to produce a monologue spoken by a generic Christian speaker.[28] The volume also circulated in manuscript and deluxe print copies. Princess Elizabeth translated the work into Latin, Italian and French as a New Year's gift for Henry VIII in December 1545 and presented the manuscript in a beautiful hand-embroidered cover. The volume has been digitised by the British Library.

          Rose Maiden badge used by the queen consort

          The Queen's religious views were viewed with suspicion by anti-Protestant officials such as Stephen Gardiner (the Bishop of Winchester) and Lord Wriothesley (the Lord Chancellor).[29] Although brought up as a Catholic, she later became sympathetic to and interested in the "New Faith". By the mid-1540s, she came under suspicion that she was actually a Protestant. This view is supported by the strong reformed ideas that she revealed after Henry's death, when her third book, Lamentation of a Sinner, was published in late 1547. In 1546, the Bishop of Winchester and Lord Wriothesley tried to turn the king against her. An arrest warrant was drawn up for her and rumours abounded across Europe that the King was attracted to her close friend, the Duchess of Suffolk.[29] However, she saw the warrant and managed to reconcile with the King after vowing that she had only argued about religion with him to take his mind off the suffering caused by his ulcerous leg.[30] The following day an armed guard who was unaware of the reconciliation tried to arrest her while she walked with the King.[31]

          Title page of Parr's Prayers or Meditations, published in 1545

          Final marriage and death

          Shortly before he died, Henry made provision for an allowance of £7,000 per year for Catherine to support herself. He further ordered that, after his death, Catherine, though a queen dowager, should be given the respect of a queen of England, as if he were still alive. Catherine retired from court after the coronation of her stepson, Edward VI, on 31 January 1547, to her home at Old Manor in Chelsea.[32]

          Following Henry's death, Catherine's old love and the new king's uncle, Thomas Seymour (who was soon created 1st Baron Seymour of Sudeley), returned to court. Catherine was quick to accept when Seymour renewed his suit of marriage. Since only four months had passed since the death of King Henry, Seymour knew that the Regency council would not agree to a petition for the queen dowager to marry so soon. Sometime near the end of May, Catherine and Seymour married in secret.[33] King Edward VI and council were not informed of the union for several months. When their union became public knowledge, it caused a small scandal. The King and Lady Mary were very much displeased by the union. After being censured and reprimanded by the council, Seymour wrote to the Lady Mary asking her to intervene on his behalf. Mary became furious at his forwardness and tasteless actions and refused to help. Mary even went as far as asking her half-sister, Lady Elizabeth, not to interact with Queen Catherine any further.[34]

          During this time, Catherine began having altercations with her brother-in-law, Edward Seymour, 1st Duke of Somerset. Like Thomas, Edward was the King's uncle, and also was the Lord Protector. A rivalry developed between Catherine and his wife, her own former lady-in-waiting, Anne Seymour, Duchess of Somerset, which became particularly acute over the matter of Catherine's jewels.[35] The Duchess argued that as queen dowager, Catherine, was no longer entitled to wear the jewels belonging to the wife of the king. Instead she, as the wife of the protector, should be the one to wear them. Eventually, the Duchess won the argument, which left her relationship with Catherine permanently damaged; the relationship between the two Seymour brothers also worsened as a result, since Thomas saw the whole dispute as a personal attack by his brother on his social standing.[34]

          In November 1547, Catherine published her third book, The Lamentation of a Sinner. The book promoted the Protestant concept of justification by faith alone, which the Catholic Church deemed to be heresy. It was sponsored by Katherine Brandon, the Duchess of Suffolk, and by William Parr (Katherine's brother), and William Cecil, Elizabeth I's future chief minister, wrote the preface. It is unlikely that she developed these views in the short time between Henry's death and the publication of the book. In 1544 or 1545, Parr had started to organize an English translation of Erasmus's Paraphrases Upon the New Testament, and the massive volume was finally printed in January 1548. Parr had enlisted Nicholas Udall, Thomas Keyes, and Mary Tudor to translate different sections and she may have produced the paraphrase of Matthew. In July 1547 the Edwardian state ordered every parish to obtain a copy and many generations of literate parishioners would have encountered lengthy dedications praising Parr's learning, her commitment to the vernacular Bible, and her role in the English reformation.[36][23] Parr owned many books and she participated in the cultural practice of writing in her books and signing books that belonged to others.[37]

          A letter from Catherine Parr to Thomas Seymour, declaring her love. On display at Sudeley Castle.

          In March 1548, at the age of 35, Catherine became pregnant. This pregnancy was a surprise, as Catherine had not conceived during her first three marriages. During this time, Seymour began to take an interest in Lady Elizabeth. Seymour had reputedly plotted to marry her before marrying Catherine, and it was reported later that Catherine discovered the two in an embrace. On a few occasions before the situation risked getting completely out of hand, according to the deposition of Kat Ashley, Catherine appears not only to have acquiesced in episodes of horseplay, but actually to have assisted her husband.[38] Whatever actually happened, Elizabeth was sent away in May 1548 to stay with Sir Anthony Denny's household at Cheshunt and never saw her beloved stepmother again, although the two corresponded. Elizabeth immediately wrote a letter to the Queen and Seymour after she left Chelsea. The letter demonstrates a sort of remorse.[citation needed]

          Kat Ashley, whose deposition was given after Catherine had died and Seymour had been arrested for another attempt at marrying Lady Elizabeth, had developed a crush on Seymour during her time at Chelsea and actually encouraged her charge to "play along." At one point she even made a comment at how lucky Elizabeth would have been to have a husband like Seymour.[39] Ashley even told Lady Elizabeth that Seymour had confided his sentiments to her of wanting to marry Elizabeth before Catherine.[40] After Catherine's death, Ashley strongly encouraged Elizabeth to write to Seymour offering her condolences; to "comfort him of his sorrow...for he would think great kindness therein."[40]

          In June 1548, Catherine, accompanied by Lady Jane Grey, moved to Sudeley Castle in Gloucestershire. The dowager queen promised to provide education for her. It was there that Catherine would spend the last few months of her pregnancy and the last summer of her life.[41]

          Catherine gave birth to her only child, a daughter, Mary Seymour, named after Catherine's stepdaughter Mary, on 30 August 1548. Catherine died on 5 September 1548, at Sudeley Castle in Gloucestershire, from what is thought to have been "childbed fever".[1][7] This illness was common due to the lack of hygiene around childbirth.[42]

          Catherine's funeral was held on 7 September 1548.[8] It was the first Protestant funeral held in English.[7] Her chief mourner was Lady Jane Grey. She was buried in St. Mary's Chapel on the grounds of Sudeley Castle, Gloucestershire, England.

          Lord Seymour was beheaded for treason on 20 March 1549, and Mary Seymour was taken to live with the Dowager Duchess of Suffolk, a close friend of Catherine's. Catherine's other jewels were kept in a coffer with five drawers at Sudeley and this was sent to the Tower of London on 20 April 1549, and her clothes and papers followed in May.[43] After a year and a half, on 17 March 1550, Mary's property was restored to her by an Act of Parliament, easing the burden of the infant's household on the duchess. The last mention of Mary Seymour on record is on her second birthday, and although stories circulated that she eventually married and had children, most historians believe she died as a child at Grimsthorpe Castle in Lincolnshire.[44]

          Remains

          Tomb of Catherine Parr in St. Mary's Chapel, Sudeley Castle

          During the English Civil War Sudeley Castle was used as a base by King Charles I, leading to its siege and sack in January 1643, during which Catherine’s grave was probably disturbed and her monument destroyed. Contemporary writer Bruno Ryves reported that:

          "There is in the castle a goodly fair church, here they dug up the graves, and disturb the ashes of the dead, they break down the monuments of the Chandoses".[45]

          The castle changed hands several times during the war, suffering a second siege, before being slighted in 1649, leading to it being largely abandoned, and the royal grave lost.

          Catherine’s presence at the castle was first rediscovered by the antiquarian Rev. Huggett when researching at the College of Arms, passing his findings onto George Pitt, 1st Baron Rivers, the owner of the castle in 1768.[46]

          Joseph Lucas, a member of the local gentry who dwelled in the outer court of the castle, renting it from Baron Rivers, was aware of Huggett’s work and searched for the lost grave, discovering it among the ruins of the chapel in 1782. An account of the discovery was later published in Notes and Queries by the daughter of a Mr Brooks, who had been present at the discovery.

          Illustration of the opening of Catherine Parr's coffin in 1782

          "In the summer of the year 1782 the earth in which Qu. K. Par lay interned was removed, and at the depth of about two feet (or very little more) her leaden coffin or coffin was found quite whole… Mr Jno Lucas had the curiosity to rip up the top of the coffin, expecting to discover within it only the bones of the deceased, but to his great surprise found the whole body wrapped in 6 or 7 seer cloth linen, entire and uncorrupted… his unwarranted curiosity lead him to make an incision through the seer cloth which covered one of the arms of the corpse, the flesh of which wat the time was white and moist".[47]

          The coffin was reopened in 1783, 1784, 1786; and in 1792, when local vandals broke into the coffin and threw the corpse in a rubbish heap, leading to Mr Lucas reinterring the body in a hidden, walled grave.[47]

          The last time the coffin was opened was in 1817 when the local rector decided to move it to the crypt under the chapel. When opening it this final time it was found the body had been to reduced to a skeleton, and much of the coffin filled with ivy.[48]

          During these various openings of the coffin, fragments of Catherine’s dress and locks of her hair were collected, one of which was gifted to Elizabeth Hamilton.[49] Most of these items are now on display at Sudeley Castle.

          The coffin was last moved in 1861 to its final location in the fully restored chapel, under a canopied neo-Gothic tomb designed by Sir George Gilbert Scott, with a recumbent marble figure by John Birnie Philip.[50]

          Iconography

          This portrait originally and now identified as Catherine Parr was wrongly identified as Lady Jane Grey for decades.

          The full-length portrait of Catherine Parr by Master John in the National Portrait Gallery was for many years thought to represent Lady Jane Grey. The painting has recently been re-identified as Catherine Parr, with whose name it was originally associated. The full-length format was very rare in portraits of this date, and was usually used only for very important sitters. Lady Jane Grey, although of royal blood, was a relatively obscure child of eight when this was painted (circa 1545); it was to be another eight years before the short-lived attempt at placing her on the throne. The distinctive crown-shaped jewel the sitter wears can be traced to an inventory of jewels that belonged to Catherine Parr, and the cameo beads appear to have belonged to Catherine Howard, from whom they would have passed to her successor as queen.[51][52][53]

          Historiography

          The popular myth that Catherine Parr acted more as her husband's nurse than his wife was born in the 19th century from the work of Victorian moralist and proto-feminist Agnes Strickland. David Starkey challenged this assumption in his book Six Wives, in which he points out that such a situation would have been vaguely obscene to the Tudors — given that Henry had a huge staff of physicians waiting on him hand and foot, and Catherine was expected to live up to the heavy expectations of queenly dignity. Parr is usually portrayed in cinema and television by actresses who are much older than the queen, who was in her early 30s when she was Henry's wife and was about 36 years old at the time of her death. When she married Henry she was 31. This change is usually an artistic licence taken to highlight Parr's maturity in comparison to Henry's previous queens, or at least a symptom of the longer lifespans enjoyed by modern audiences (who might be confused as to why a 30-year-old is considered much older and more experienced).[citation needed]

          Catherine's good sense, moral rectitude, compassion, firm religious commitment, and strong sense of loyalty and devotion have earned her many admirers among historians. These include David Starkey, feminist activist Karen Lindsey, Lady Antonia Fraser, Alison Weir, Carolly Erickson, Alison Plowden, Susan James and Linda Porter. Biographers have described her as strong-willed and outspoken, physically desirable, susceptible (like Queen Elizabeth) to roguish charm, and even willing to resort to obscene language if the occasion suited.[54][full citation needed]

          In the media

          Catherine Parr first appeared as a character in cinemas in 1934, in Alexander Korda's film The Private Life of Henry VIII. Charles Laughton played the king, with actress Everley Gregg appearing as Catherine. The film makes no attempt to depict the historical Parr's character, instead portraying the Queen for comic effect as a domineering and over-protective nag.

          In 1952, a romanticised version of Thomas Seymour's obsession with Elizabeth I saw Stewart Granger as Seymour, Jean Simmons as the young Elizabeth, Charles Laughton reprising his role as King Henry VIII, with screen legend Deborah Kerr as Parr in the popular film Young Bess. In 1970, in "Catherine Parr", a 90-minute BBC television drama (the last in a 6-part series, entitled The Six Wives of Henry VIII) Catherine was played by Rosalie Crutchley opposite Keith Michell's Henry. In this, Catherine's love of religion and intellectual capabilities were highlighted. Crutchley reprised her role as Catherine Parr for the first episode of the 6-part follow-up series on the life of Elizabeth I in 1971, Elizabeth R. In 1972, Barbara Leigh-Hunt played a matronly Catherine in Henry VIII and his Six Wives (a film adaptation of the 1970 mini-series), with Keith Michell once again playing Henry.

          In 2000, Jennifer Wigmore played Catherine Parr in the American television drama aimed at teenagers, Elizabeth: Red Rose of the House of Tudor. A year later, Caroline Lintott played Katherine in Professor David Starkey's documentary series on Henry's queens. In October 2003, in a two-part British television series on Henry VIII, Catherine was played by Clare Holman. The part was relatively small, given that the drama's second part focused more on the stories of Jane Seymour and Catherine Howard. In The Simpsons episode "Margical History Tour," Catherine is portrayed by Agnes Skinner as an elderly widow during Marge's retelling of Henry's reign. Henry (portrayed by Homer) regrets his marriage to her because of her age. In March 2007, Washington University in St. Louis performed the A.E. Hotchner Playwriting Competition winner Highness, which documents the life of Catherine Parr and her relationships with King Henry and his daughter, the future Queen Elizabeth I, to whom she was a stepmother.[55]

          Catherine Parr was portrayed by actress Joely Richardson on the fourth and final season of Showtime's The Tudors, which was first broadcast in spring 2010.[56] Richardson's portrayal was largely faithful to what has been recorded of Parr's character. Catherine features in The Dark Rose, Volume 2 of The Morland Dynasty a series of historical novels by author Cynthia Harrod-Eagles. The lead female character, Nanette Morland, is educated alongside Catherine and is later re-acquainted with her when she becomes Queen. She has been the subject of several novels, including two titled The Sixth Wife, and she is a supporting character in C. J. Sansom's Matthew Shardlake mysteries, Revelation, Heartstone and Lamentation.

          In 2015, the Stratford Festival in Stratford Ontario debuted a new play called The Last Wife about Catherine Parr and her relationships with Henry VIII, Thomas Seymour and Henry's three children. The play was written by Kate Hennig. Maev Beaty played Katherine Parr. In the retelling of Henry VIII's sixth wife by Sara Pascoe in Drunk History (UK version, series 2, episode 9) Catherine Parr is portrayed by Emma Bunton.[citation needed] Catherine Parr is a character in the 2017 musical Six, by Toby Marlow and Lucy Moss. In the West End production, the role of Catherine Parr has been played by Izuka Hoyle, Maiya Quansah-Breed, and Danielle Steers. A United States run in Chicago in May 2019 saw Catherine played by Anna Uzele. Six was set to open on Broadway in April 2020, with Catherine to be played again by Uzele, but was delayed due to the COVID-19 pandemic. It is set to re-open in October 2021.

          Rick Wakeman recorded the piece "Catherine Parr" for his 1973 album, The Six Wives of Henry VIII. On his 2009 live version of the album the track's spelling is changed to "Katherine Parr".

          Citations

          1. ^ a b c d James 2009, pp. 294.
          2. ^ Catherine Parr's tomb at Sudeley Castle has a plaque that says her death date is 5 September 1548. The inscription comes from a lead plate that is on her coffin.
          3. ^ Mueller, 2011, p.1.
          4. ^ Jones 2010.
          5. ^ Mueller 2011, p. 197. sfn error: multiple targets (2×): CITEREFMueller2011 (help)
          6. ^ Freeman, Thomas S. (2013). "One Survived: The Account of the Katherine Parr in Foxe’s ‘Books of Martyrs’," in Henry VIII and the Court: Art, Politics and Performance, ed. Thomas Betteridge and Suzanna Lipscomb. Farnham: Ashgate. pp. 241–42.
          7. ^ a b c d Campbell, Sophie. Sudeley Castle: the curious life and death of Katherine Parr, Telegraph. 14 August 2012. [1]
          8. ^ a b Mueller 2011, p. 182. sfn error: multiple targets (2×): CITEREFMueller2011 (help)
          9. ^ Porter 2011, p. 25.
          10. ^ James 2012.
          11. ^ Nicholson & Burn 1777, pp. 45–46, and the archaeological findings during the excavation of Kendal Castle by Barbara Harbottle as published in Quarto, V(4). January 1968; Quarto, VI(4). January 1969; Quarto, VII(4). January 1970; Quarto, X(1). August 1972
          12. ^ Farrer & Curwen 1923, p. 54.
          13. ^ a b James 2009, pp. 60–63.
          14. ^ Robin, Larsen & Levin 2007, p. 289.
          15. ^ Starkey 2004, p. 690.
          16. ^ Porter 2011, p. 37.
          17. ^ a b c Porter 2011.
          18. ^ Mosley 1 2003, p. 587.
          19. ^ a b c d e f g h James 2009, pp. 61–73.
          20. ^ Letters and Papers, Foreign and Domestic, Henry VIII, 11, 1174.
          21. ^ Edwards 2010.
          22. ^ a b White, Micheline (2015). "The Psalms, War, and Royal Iconography: Katherine Parr's Psalms or Prayers (1544) and Henry VIII as David". Renaissance Studies. 29: 554–75.
          23. ^ a b White, Micheline (2020). "Katherine Parr, Translation, and the Dissemination of Erasmus's Views on War and Peace". Renaissance and Reformation / Renaissance et Réforme. 43.2: 67–91.
          24. ^ Skinner, David (2016). "Deliver me from my deceytful ennemies": a Tallis Contrafactum in a Time of War". Early Music. 44.2: 233–50.
          25. ^ White, Micheline (3 April 2015). "Pray for the Monarch: The Surprising Contributions of Katherine Parr and Queen Elizabeth I to the Book of Common Prayer". Times Literary Supplement. 5844: 14.
          26. ^ Porter 2011, p. 348.
          27. ^ Coles, Kimberly Anne (2008). Religion, Reform, and Women's Writing in Early Modern England. Cambridge: Cambridge University Press. pp. 52–62.
          28. ^ Mueller, Janel (1990). "Devotion as Difference: Intertextuality in Queen Katherine Parr's Prayers or Meditations (1545)". Huntington Library Quarterly. 53.3: 171–97.
          29. ^ a b Hart 2009.
          30. ^ Foxe, John. "Katherine Parr". The Acts and Monuments of John Fox. Exclassics.com. Retrieved 29 January 2014.
          31. ^ Starkey 2002, p. 129.
          32. ^ Ashley, Mike (7 June 2012). The Mammoth Book of British Kings and Queens. Little, Brown Book Group. ISBN 978-1-4721-0113-6.
          33. ^ Mueller, Janel (2011). Katherine Parr: Complete Works and Correspondence. Chicago: University of Chicago Press. p. 1.
          34. ^ a b James 2009, pp. 268–276.
          35. ^ James 2009, p. 271; citing British Library, Add. Ms. 46,348, f.67b: Starkey 1998, pp. 77–80; 122 items of jewellery.
          36. ^ Pender, Patricia (2014). "Dispensing Quails, Mincemeat, Leaven: Katherine Parr's Patronage of the Paraphrases of Erasmus." In Material Cultures of Early Modern Women's Writing, edited by Patricia Pender and Rosalind Smith,. New York: Pagrave Macmillan. pp. 36–54.
          37. ^ White, Micheline (2018). Katherine Parr's Marginalia: Putting the Wisdom of Chrysostom and Solomon into Practice." In Early Modern Women's Bookscapes: Reading, Ownership, Circulation, edited by Leah Knight, Elizabeth Sauer, and Micheline White. Ann Arbor: University of Michigan Press. pp. 21–42.
          38. ^ Deposition of Katherine Ashley in Haynes 1740, pp. 99–101; Christopher Hibbert (1990) The Virgin Queen; Antonia Fraser (1992) The Six Wives of Henry VIII; Alison Weir (1996) Children of England; David Starkey (2000) Elizabeth; Porter 2011 Most biographers of Catherine, Thomas Seymour, or Elizabeth refer to Catherine and Seymour tickling Elizabeth in her bed and Catherine holding down Elizabeth while her husband cut her dress into shreds. Although extant evidence does not support the notion of a fully-fledged ménage à trois, or even that Seymour's flirtation with Elizabeth led to sexual intercourse with her, Starkey has speculated as to how such behaviour would play in front of a modern panel of social workers and pediatricians (Elizabeth, op.cit.) Nor is it clear from contemporaneous evidence that Catherine's "pert and pretty stepdaughter", to use Starkey's description, was a wholly unwilling participant in such antics.
          39. ^ Starkey 2000.
          40. ^ a b Haynes 1740, pp. 102–103.
          41. ^ James 2009, pp. 291.
          42. ^ "Medical Definition of Childbed Fever". MedicineNet. Retrieved 1 November 2019.
          43. ^ Starkey 1998, pp. 94–96; jewel inventory of 116 items; pp. 434–437, wardrobe 133 items.
          44. ^ James 2009, pp. 299–300.
          45. ^ Dent, Emma (1877). Annals of Winchcombe and Sudeley. London: J. Murray. p. 260.
          46. ^ Dent, Emma (1877). Annals of Winchcombe and Sudeley. London: J, Murrey. p. 314.
          47. ^ a b Dent, Emma (1877). Annals of Winchcombe and Sudeley. London: j. Murray. p. 316.
          48. ^ Dent, Emma (1877). Annals of Winchcombe and Sudeley. London: j. Murray. p. 320.
          49. ^ Dent, Emma (1877). Annals of Winchcombe and Sudeley. London: j. Murray. p. 181.
          50. ^ Tomaini, Thea (2017). The Corpse as Text: Disinterment and Antiquarian Enquiry, 1700-1900. Gloucestershire: Boydell & Brewer. p. 152. ISBN 9781782049517.
          51. ^ Williamson 2010, p. 91.
          52. ^ Gittings 2006, p. 14.
          53. ^ James 1996, pp. 20–24.
          54. ^ See generally James 2012; Porter 2011; Porter, History Today 60 (4): 17–22. April 2010(subscription required)
          55. ^ Otten 2007.
          56. ^ Ausiello 2009.

          References

          Further reading

          • James, Susan (2009). Catherine Parr: Henry VIII's Last Love. Gloucestershire: The History Press. ISBN 978-0-752-44853-4.
          • Martienssen, Anthony (1973). Queen Catherine Parr. London: Secker & Warburg. ISBN 0-436-27328-4.
          • Norton, Elizabeth (2011). Catherine Parr. Chalford: Amberley. ISBN 978-1445603834.
          • Parr, Katherine (2011). Mueller, Janel (ed.). Katherine Parr: Complete Works and Correspondence. Chicago: University of Chicago Press. ISBN 978-0-226-64724-1.
          • Porter, Linda (2010). Katherine the Queen: The Remarkable Life of Katherine Parr, the Last Wife of Henry VIII. New York: St. Martin's Press. ISBN 978-1-42991-830-5.
          • Withrow, Brandon (2009). Katherine Parr: The Life and Thought of a Reformation Queen. Phillipsburg: P&R. ISBN 978-1-59638-117-9.

          External links

          English royalty
          Vacant
          Title last held by
          Catherine Howard
          Queen consort of England
          12 July 1543 – 28 January 1547
          Vacant
          Title next held by
          Anne of Denmark
          New title Queen consort of Ireland
          12 July 1543 – 28 January 1547

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