The image is from Wikipedia Commons
Cultural depictions of Edward III of England
Edward III of England has been depicted in a number of fictional works.
Edward III of England is the central character in the play Edward III, sometimes attributed to William Shakespeare. He also appears as a boy in Edward II by Christopher Marlowe. Edward is also the protagonist of William Blake's early drama Edward the Third, part of his Poetical Sketches, published in 1783. George Bernard Shaw portrayed Edward for dramatic purposes as, in Shaw's preface to The Six of Calais, behaving himself like an unrestrained human being in a very trying situation. He also appears in Gaetano Donizetti's opera L'assedio di Calais. Edward III appeared in George Alfred Lawrence's "sensation novel" about the Hundred Years' War, Brakespeare (1868).  The novella "The Countess Alys" (in The New Canterbury Tales (1901)) by Maurice Hewlett features Edward III as a character.  Edward was also depicted in historical novels for younger readers, including St. George For England (1885) by G. A. Henty.  Edward is also featured in his role as English commander during the Battle of Crécy, in the novel Red Eve (1911) by Rider Haggard. 
Edward appears in Maurice Druon's series of historical novels Les Rois maudits (The Accursed Kings). In the 1965 novel The King is a Witch by Evelyn Eaton, Edward is covertly a follower of a pagan "Old Religion".
Edward is a major character in The King's Mistress by Emma Campion and her Owen Archer mystery novel The Lady Chapel (1994) under the name Candace Robb. He appears in the 2000 Bernard Cornwell novel Harlequin, as well as in the 2007 Ken Follett novel World Without End, the sequel to Pillars of the Earth. Edward also appears briefly in The First Princess of Wales by Karen Harper.
Edward III has rarely been portrayed on screen. He was portrayed by Charles Kent in the 1911 silent short The Death of King Edward III and by Michael Hordern in the 1955 film The Dark Avenger, about Edward, the Black Prince. As a boy he has been portrayed by Stéphane Combesco in the 1982 French TV adaptation of Marlowe's play and by Jody Graber in Derek Jarman's 1991 version. In World Without End (2012), Blake Ritson portrayed Edward III.
Edward is implied to be the son of Isabella and Scottish patriot William Wallace in the 1995 film Braveheart. This is historically impossible, as, at the time of Wallace's execution in 1305, Isabella was still only ten years old, and this was seven years before Edward was born. It is extremely unlikely that Wallace and Isabella ever met.
- Chester W. Topp, Victorian Yellowbacks & Paperbacks, 1849-1905. Denver, Colo. : Hermitage Antiquarian Bookshop, 1993. ISBN 0963392050 Volume 6, (p. 331)
- Nield, Jonathan (1925), A Guide to the Best Historical Novels and Tales, G. P. Putnam's sons, ISBN 0833725092, 1925 (pp. 32-33)
- Myron J. Smith, War story guide: an annotated bibliography of military fiction. Scarecrow Press, 1980. ISBN 978-0810812819 (p. 25).
- Huckvale, David. A Green and Pagan Land : Myth, Magic and Landscape in British film and television, ISBN 9781476670508 (p. 24, 146)
- "Les Rois maudits: Casting de la saison 1" (in French). AlloCiné. 2005. Archived from the original on 19 December 2014. Retrieved 25 July 2015.
- Ewan, Elizabeth. "Braveheart." American Historical Review. Vol. 100, No. 4. October 1995., pp. 1219–21.
- This page is based on the Wikipedia article Cultural depictions of Edward III of England; it is used under the Creative Commons Attribution-ShareAlike 3.0 Unported License (CC-BY-SA). You may redistribute it, verbatim or modified, providing that you comply with the terms of the CC-BY-SA.