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John Gutzon de la Mothe Borglum
(1867-03-25)March 25, 1867
|Died||March 6, 1941(1941-03-06) (aged 73)
Chicago, Illinois, U.S.
|Resting place||Forest Lawn Memorial Park|
Institute of Art
École des Beaux-Arts
California School of Design
|Known for||Sculpture, Painting|
John Gutzon de la Mothe Borglum (March 25, 1867 – March 6, 1941) was an American artist and sculptor. He is most associated with his creation of the Mount Rushmore National Memorial in Keystone, South Dakota. He was associated with other public works of art, including a bust of Abraham Lincoln exhibited in the White House by Theodore Roosevelt and now held in the United States Capitol Crypt in Washington, D.C..
The son of Danish immigrants, Gutzon Borglum was born in 1867 in St. Charles in what was then Idaho Territory. Borglum was a child of Mormon polygamy. His father, Jens Møller Haugaard Børglum (1839–1909), had two wives when he lived in Idaho: Gutzon's mother, Christina Mikkelsen Borglum (1847–1871) and Gutzon's mother's sister Ida, who was Jens's first wife. Jens Borglum decided to leave Mormonism and moved to Omaha, Nebraska where polygamy was both illegal and taboo. Jens Borglum worked mainly as a woodcarver before leaving Idaho to attend the Saint Louis Homeopathic Medical College in Saint Louis, Missouri. At that point "Jens and Christina divorced, the family left the Mormon church, and Jens, Ida, their children, and Christina's two sons, Gutzon and Solon, moved to St. Louis, where Jens earned a medical degree. (Jens) then moved the family to Nebraska, where he became a county doctor". Upon his graduation from the Missouri Medical College in 1874, Dr. Borglum moved the family to Fremont, Nebraska, where he established a medical practice. Gutzon Borglum remained in Fremont until 1882, when his father enrolled him in St. Mary's College, Kansas.
Elizabeth Janes Putnam Borglum
Borglum's wife, Elizabeth Janes, was born in Racine, WI on December 21, 1848. She studied art and music in Boston, New York, and Paris. Her marriage to J. W. Putnam ended in divorce. She taught music in Milwaukee before moving to San Francisco in 1881, studying art at the School of Design under Virgil Williams and L. P. Latimer, moving to Los Angeles, California in 1884, and the next year began art study with William Keith. In 1885, she met Gutzon Borglum, who was also a student of Keith's. In 1889 in Los Angeles, she married Borglum, who was her pupil and 19 years younger. The Borglums spent the next ten years traveling widely, studying and exhibiting in Europe. Borglum was trained in Paris at the Académie Julian, where he came to know Auguste Rodin, and was influenced by Rodin's impressionistic light-catching surfaces. Borglum's works were accepted to the 1891 and the 1892 Paris Salons. In Paris, Elizabeth studied with Felix Hildago. Elizabeth took part in the 1892 Columbus Centennial Exhibition in Spain. A return trip to California proved to be ill-timed, as the state was in the throes of a financial depression. In 1893, they purchased a home, "El Rosario", in Sierra Madre, California. In 1896 Gutzon and Elizabeth went back to Europe, this time to London. In London, she studied with California painter Emil Carlsen. Due to marital problems, she returned to southern California in 1902, while Borglum was living in England. After she and Borglum separated in 1903 and divorced in 1908, Elizabeth stayed at "El Rosario". She continued her art career, painting and teaching and taking classes from J. Foxcroft Cole. In 1915, she moved to Venice, California, dying there on May 21, 1922. Elizabeth Borglum's work is rooted in the Tonalist-Barbizon esthetic.
New York City
Back in the U.S. in New York City he sculpted saints and apostles for the new Cathedral of St. John the Divine in 1901; in 1906 he had a group sculpture accepted by the Metropolitan Museum of Art— the first sculpture by a living American the museum had ever purchased—and made his presence further felt with some portraits. He also won the Logan Medal of the Arts. His reputation soon surpassed that of his younger brother, Solon Borglum, already an established sculptor.
Mary Montgomery Williams Borglum
Borglum was active in the committee that organized the New York Armory Show of 1913, the birthplace of modernism in American art. By the time the show was ready to open, however, Borglum had resigned from the committee, feeling that the emphasis on avant-garde works had co-opted the original premise of the show and made traditional artists like himself look provincial. He moved into an estate in Stamford, Connecticut in 1914 and lived there for 10 years.
Borglum was an active member of the Ancient Free and Accepted Masons (the Freemasons), raised in Howard Lodge #35, New York City, on June 10, 1904, and serving as its Worshipful Master 1910–11. In 1915, he was appointed Grand Representative of the Grand Lodge of Denmark near the Grand Lodge of New York. He received his Scottish Rite Degrees in the New York City Consistory on October 25, 1907.
Borglum was a member of the Ku Klux Klan. He was one of the six knights who sat on the Imperial Koncilium in 1923, which transferred leadership of the Ku Klux Klan from Imperial Wizard Colonel Simmons to Imperial Wizard Hiram Evans. In 1925, having only completed the head of Robert E. Lee, Borglum was dismissed from the Stone Mountain project, with some holding that it came about due to infighting within the KKK, with Borglum involved in the strife. Later, he stated, "I am not a member of the Kloncilium, nor a knight of the KKK," but Howard Shaff and Audrey Karl Shaff add that "that was for public consumption." The museum at Mount Rushmore displays a letter to Borglum from D. C. Stephenson, the infamous Klan Grand Dragon who was later convicted of the rape and murder of Madge Oberholtzer. The 8x10 foot portrait contains the inscription "To my good friend Gutzon Borglum, with the greatest respect." Correspondence from Borglum to Stephenson during the 1920s detailed a deep racist conviction in Nordic moral superiority and strict immigration policies.
In 1925, the sculptor moved to Texas to work on the monument to trail drivers commissioned by the Trail Drivers Association. He completed the model in 1925, but due to lack of funds it was not cast until 1940, and then was only a fourth its originally planned size. It stands in front of the Texas Pioneer and Trail Drivers Memorial Hall next to the Witte Museum in San Antonio. Borglum lived at the historic Menger Hotel, which in the 1920s was the residence of a number of artists. He subsequently planned the redevelopment of the Corpus Christi waterfront; the plan failed,[why?] although a model for a statue of Christ intended for it was later modified by his son and erected on a mountaintop in South Dakota. While living and working in Texas, Borglum took an interest in local beautification. He promoted change and modernity, although he was berated by academicians.
A fascination with gigantic scale and themes of heroic nationalism suited his extroverted personality. His head of Abraham Lincoln, carved from a six-ton block of marble, was exhibited in Theodore Roosevelt's White House and can be found in the United States Capitol Crypt in Washington, D.C. A "patriot," believing that the "monuments we have built are not our own," he looked to create art that was "American, drawn from American sources, memorializing American achievement," according to a 1908 interview. Borglum was highly suited to the competitive environment surrounding the contracts for public buildings and monuments, and his public sculptures are found all around the United States.
In 1908, Borglum won a competition for a equestrian statue of the Civil War General Philip Sheridan to be placed in Sheridan Circle in Washington, D.C. A second version of General Philip Sheridan was erected in Chicago, Illinois, in 1923. Winning this competition was a personal triumph for him because he won out over sculptor J.Q.A. Ward, a much older and more established artist and one whom Borglum had clashed with earlier in regard to the National Sculpture Society. At the unveiling of the Sheridan statue, one observer, President Theodore Roosevelt (whom Borglum was later to include in the Mount Rushmore portrait group), declared that it was "first rate"; a critic wrote that "as a sculptor Gutzon Borglum was no longer a rumor, he was a fact." (Smith:see References)[full citation needed]
Borglum was initially involved in the carving of Stone Mountain in Georgia. Borglum's nativist stances made him seem an ideologically sympathetic choice to carve a memorial to heroes of the Confederacy, planned for Stone Mountain, Georgia. In 1915, coinciding with the Klan-glorifying, highly successful Birth of a Nation, he was approached by the United Daughters of the Confederacy with a project for sculpting a 20-foot (6 m) high bust of General Robert E. Lee on the mountain's 800-foot (240 m) rockface. Borglum accepted, but told the committee, "Ladies, a twenty-foot head of Lee on that mountainside would look like a postage stamp on a barn door."
Borglum's ideas eventually evolved into a high-relief frieze of Lee, Jefferson Davis, and 'Stonewall' Jackson riding around the mountain, followed by a legion of artillery troops. Borglum agreed to include a Ku Klux Klan altar in his plans for the memorial to acknowledge a request of Helen Plane in 1915, who wrote to him: "I feel it is due to the KKK that saved us from Negro domination and carpetbag rule, that it be immortalized on Stone Mountain".
After a delay caused by World War I, Borglum and the newly chartered Stone Mountain Confederate Monumental Association set to work on this monument, the largest ever attempted. Many difficulties slowed progress, some because of the sheer scale involved. After finishing the detailed model of the carving, Borglum was unable to trace the figures onto the massive area on which he was working, until he developed a gigantic magic lantern to project the image onto the side of the mountain.
Carving officially began on June 23, 1923, with Borglum making the first cut. At Stone Mountain he developed sympathetic connections with the reorganized Ku Klux Klan, who were major financial backers of the monument. Lee's head was unveiled on Lee's birthday January 19, 1924, to a large crowd, but soon thereafter Borglum was increasingly at odds with the officials of the organization. His domineering, perfectionist, authoritarian manner brought tensions to such a point that in March 1925 Borglum smashed his clay and plaster models. He left Georgia permanently, his tenure with the organization over. None of his work remains, as it was all blasted off the mountain's face for the work of Borglum's replacement Henry Augustus Lukeman. In his abortive attempt however, Borglum had developed the necessary techniques for sculpting on a gigantic scale that made Mount Rushmore possible.
His Mount Rushmore project, 1927–1941, was the brainchild of South Dakota state historian Doane Robinson. His first attempt with the face of Thomas Jefferson was blown up after two years. Dynamite was also used to remove large areas of rock from under Washington's brow. The initial pair of presidents, George Washington and Thomas Jefferson, was soon joined by Abraham Lincoln and Theodore Roosevelt.
Ivan Houser, father of John Sherrill Houser, was assistant sculptor to Gutzon Borglum in the early years of carving; he began working with Borglum shortly after the inception of the monument and was with Borglum for a total of seven years. When Houser left Gutzon to devote his talents to his own work, Gutzon's son, Lincoln, took over as Assistant-Sculptor to his father.
Borglum alternated exhausting on-site supervising with world tours, raising money, polishing his personal legend, sculpting a Thomas Paine memorial for Paris and a Woodrow Wilson memorial for Poznań, Poland (1931). In his absence, work at Mount Rushmore was overseen by his son, Lincoln Borglum. During the Rushmore project, father and son were residents of Beeville, Texas. When he died in Chicago, following complications of surgery, his son finished another season at Rushmore, but left the monument largely in the state of completion it had reached under his father's direction.
Four public works by Borglum are in Newark, New Jersey: Seated Lincoln (1911), Indian and the Puritan (1916), Wars of America (1926), and a stele with bas-relief, First Landing Party of the Founders of Newark (1916).
He supported Czechoslovak legions on his land at Stamford in 1917.
One of Borglum's more unusual pieces is the Aviator completed in 1919 as a memorial for James R. McConnell, who was killed in World War I while flying for the Lafayette Escadrille. It is located on the grounds of the University of Virginia in Charlottesville, Virginia.
Borglum sculpted the memorial Start Westward of the United States, which is located in Marietta, Ohio (1938).
Another Borglum design is the North Carolina Monument on Seminary Ridge at the Gettysburg Battlefield in south-central Pennsylvania. The cast bronze sculpture depicts a wounded Confederate officer encouraging his men to push forward during Pickett's Charge. Borglum had also made arrangements for an airplane to fly over the monument during the dedication ceremony on July 3, 1929. During the sculpture's unveiling, the plane scattered roses across the field as a salute to those North Carolinians who had fought and died at Gettysburg.
In popular culture
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Mr. Borglum is the sculptor who shattered several angels that he had intended for St. John's Cathedral a month or so ago because some critics held that his angels were feminine, not masculine.
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- The Archaeology of Hollywood
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- Borglum biography American Experience
- "Stone Mountain" Sketch
- Out of Rushmore's Shadow: The Artistic Development of Gutzon Borglum, Stamford, Connecticut Museum,1999/2000
- Mt Rushmore/Gutzon Borglum Museum in Keystone, SD
- John William Mackay statue, Reno, NV
- Borglum speech at Nebraska State Historical Society
- A Sculptor Left His Mark on Newark
- John Taliaferro on Great White Fathers: The Story of the Obsessive Quest to Create Mt. Rushmore, December 15, 2002. Booknotes interview
- Mountain Sculpture by Gutzon Borglum, Dupont Magazine, Summer 1932
- Gutzon Borglum House (1924–1925), Avondale Estates, Georgia (historical marker)
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