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Music Canada (formerly Canadian Recording Industry Association (CRIA)) is a non-profit trade organization that was founded 9 April 1963 to represent the interests of companies that record, manufacture, produce, and distribute music in Canada. It also offers benefits to some of Canada's leading independent record labels and distributors.
Originally formed as the 10-member Canadian Record Manufacturer's Association, the association changed its name to Canadian Recording Industry Association (CRIA) in 1972 and opened membership to other record industry companies.
In 2006, the CRIA was in the news when a number of smaller labels resigned their memberships, complaining that the organization wasn't representing their interests. In 2011, it changed its name to Music Canada offering special benefits to some of the leading independent labels and distributors in Canada.
Music Canada is governed by a board of directors who are elected annually by association members. To be eligible for election a candidate for the board must be among the executive officers of the member companies. Graham Henderson of Universal Music Canada has been president since 15 November 2004; Brian Robertson previously held the position from 1974.
Members are divided into 3 classes:
- Class A members are Canadian individuals or companies whose principal business is producing, manufacturing, or marketing sound recordings. These members hold voting rights, and currently consist of the "big four" record labels.
- Class B members are Canadian individuals or companies whose principal business is producing sound recordings. These members pay a $600 annual membership fee but have no voting rights. As of 2007, there were 22 class B members.
- Manufacturing Division members are Canadian individuals or companies whose principal business is manufacturing sound recordings.
Historically, Music Canada has represented all record labels in the country. Recently, however, some labels and other industry groups have publicly disagreed with Music Canada and claim it no longer represents them. In 2006, six well-known "indie" labels including Nettwerk left Music Canada in a dispute over Canadian content rules. They claimed the association was only protecting the interests of "the four major foreign multi-national labels," referring to EMI, Universal, Sony BMG, and Warner. Other points of contention include Music Canada's stance against the blank media tax, their support for digital locks on music, and positions against copyright reform. In 2007 a group of musicians formed the Canadian Music Creators Coalition, claiming "legislative proposals that would facilitate lawsuits against our fans or increase the labels' control over the enjoyment of music are made not in our names, but on behalf of the labels' foreign parent companies."
On February 16, 2004, Music Canada applied to the Federal Court to force five major Canadian internet service providers — Shaw Communications Inc., Telus Corp., Rogers Cable, Bell Canada's Sympatico service and Quebec's Vidéotron — to hand over the names of 29 people accused of copyright infringement through peer-to-peer file sharing. On April 2005, Vidéotron indicated its willingness to supply customer information to Music Canada.
On March 31, 2004, in the case of BMG v. John Doe, Justice Konrad von Finckenstein of the Federal Court of Canada ruled that making music available for download over the Internet was not equivalent to distribution and was thus noninfringing. The Justice compared the peer-to-peer filesharing activities to "having a photocopier in a library room full of copyrighted material" and wrote that there was no evidence of unauthorized distribution presented. The Federal Court of Appeal upheld the lower courts ruling denying the disclosure of the customers' identities, but, in reference to "what would or would not constitute infringement of copyright," stated: "such conclusions should not have been made in the very preliminary stages of this action, since they would require a consideration of the evidence as well as the law applicable to such evidence after it has been properly adduced, and could be damaging to the parties if a trial takes place." The Copyright Board of Canada earlier that year had included downloading music in the list of "private copying" activities for which tariffs on blank media applied. (Private copying is the act of copying music for personal use from a noninfringing source, and is itself noninfringing.) That made it extremely unlikely that downloaders could be successfully prosecuted, leaving only the possibility of acting against uploaders, those supplying the works to others on the networks. In 2008, the operators of the isoHunt website filed a motion with the Supreme Court of British Columbia seeking a declaratory judgment affirming the legality of their operation. The motion was denied, and the court ruled a full trial was needed. This decision was appealed by the operators of isoHunt; the appeal was also denied. In late 2009, isoHunt filed a formal suit against Music Canada and the four "major" record labels seeking "declaratory relief to clarify its legal rights."
Additionally, in October 2008, the four main members of Music Canada were sued by the estate of Chet Baker and several other artists for copyright infringement. The major claims in this lawsuit are as follows:
- That some three hundred thousand works were illegally distributed by the Music Canada's members, and
- That they failed to seek proper licensing and distribution agreements with the creators of the aforementioned works, instead placing the works on what is colloquially referred to as a "pending list" (i.e., any payments to be made for the use of the aforementioned works are reserved, pending an agreement with the artists who created the works).
As the standard punitive damages for each act of infringement is set at $20,000, and there are three hundred thousand works on the "pending lists", Music Canada could have faced punitive damages of a minimum of $6 billion. On November 8, 2011, the suit was settled out of court for over $45 million.
|Certification||For releases before May 1, 2008||For releases after May 1, 2008|
Prior to September 12, 2016, Music Canada had different certification levels for physical singles and Digital downloads singles. On that date, the digital downloads singles award was discontinued and single awards include digital singles. It also includes streams, where 150 on-demand audio streams from a subscription service equals 1 unit towards certification.
|Certification||For certifications after September 12, 2016|
Certification before September 2016
- Physical singles
|Certification||For releases before February 1, 1982||For releases before September 2002||For releases after September 2002[A]|
- Digital downloads (singles)
|Certification||Before January 1, 2007[B]||Until April, 2010[C]||After May 1, 2010
Discontinued September 12, 2016
- Note that Music Canada certifies Digital-downloads (and from September 12, 2016, any singles) always applying the most recent certifications-levels, even to those titles that are released during the time frame the CRIA (currently Music Canada) had lower certification-levels for Digital-downloads. One such example is the single "Right Round" by Flo Rida feat. Kesha, which was released in January 2009 when certification-levels for Digital-downloads were 10,000 units for Gold and 20,000 units for Platinum. The CRIA (currently Music Canada) certified it three times Platinum in October 2010, applying the latest certification-levels for sales of 240,000 units.
|Certification||For all RingTone releases|
|Certification||For all Video releases|
- This page is based on the Wikipedia article Music Canada; it is used under the Creative Commons Attribution-ShareAlike 3.0 Unported License (CC-BY-SA). You may redistribute it, verbatim or modified, providing that you comply with the terms of the CC-BY-SA.