The image is from Wikipedia Commons
Morton at the 2008 Edinburgh International Film Festival
Samantha Jane Morton
(1977-05-13) 13 May 1977
|Children||3, including Esme Creed-Miles|
Samantha Jane Morton (born 13 May 1977) is an English actress and director. She is known for her work in independent productions often with dark themes and has received numerous accolades, including a British Academy Television Award, a British Independent Film Award and a Golden Globe Award, as well as nominations for two Academy Awards, a Primetime Emmy Award, and a British Academy Film Award.
Morton was a member of the Central Junior Television Workshop in her native Nottingham, and later began her career in British television in 1991. She guest-starred in Soldier Soldier and Cracker and had a bigger role in the ITV series Band of Gold. She made the transition to film with lead roles in the dramas Emma (1996), Jane Eyre (1997), and the well-received Under the Skin (1997). Morton also starred alongside Max Beesley in BBC's mini series production of 'Tom Jones, A Foundling' in 1997 to critical acclaim. The next year, Woody Allen cast Morton in Sweet and Lowdown (1999), which earned her nominations for the Academy Award and the Golden Globe Award for Best Supporting Actress.
Established as a prominent force on the independent film scene by the early 2000s, Morton starred in Morvern Callar (2002), which garnered her the BIFA Award for Best Actress, and she received her second Academy Award nomination for her performance in In America (2003), this time for Best Actress. Her role in the commercially successful sci-fi thriller Minority Report (2002) was followed by biographical portrayals of Myra Hindley in Longford (2006), Deborah Curtis in Control (2007), and Mary, Queen of Scots in Elizabeth: The Golden Age (2007). For her role in Longford, she won the Golden Globe Award for Best Supporting Actress – Series, Miniseries or Television Film.
Morton made her directorial debut with the television film The Unloved (2009), which won the BAFTA Television Award for Best Single Drama. She had also starred in films such as The Messenger (2009), John Carter (2012), Decoding Annie Parker (2013), and Fantastic Beasts and Where to Find Them (2016). By the late 2010s, she often ventured back into television, starring in the series The Last Panthers (2015), Rillington Place (2016), Harlots (2017–2019), and The Walking Dead (2019–2020).
Samantha Jane Morton was born in the Clifton area of Nottingham on 13 May 1977, the third child of Pamela (née Mallek), a factory worker, and Peter Morton. She is of Polish/Irish descent. She has six half-siblings from her parents' relationships subsequent to their 1979 divorce. She lived with her father until she was eight, when she was made a ward of court because neither of her parents could care for her and her siblings. Her father was an abusive alcoholic, and her mother was involved in a violent relationship with her second husband; as a result, she never lived with her parents again.
The next nine years were spent in and out of foster care and children's homes. During that time, she attended West Bridgford Comprehensive School and joined the Central Junior Television Workshop when she was 13, soon being offered small-screen roles in Soldier Soldier and Boon. Under the effects of drugs, she threatened an older girl who had been bullying her. She was convicted of making threats to kill and served 18 weeks in an attendance centre.
After joining Central Junior Television Workshop at the age of 13, she was soon being offered small-screen roles such as Clare Anderson in the first series of Lucy Gannon's Soldier Soldier and also Mandy, in an episode of Boon —both were ITV Central productions. Moving to London at sixteen, Morton applied to numerous drama schools, including RADA, without success. In 1991, she attended Clarendon College of Performing Arts to gain a BTEC award but subsequently left for personal reasons. She made her stage début at the Royal Court Theatre, and continued her television career with appearances in Peak Practice and in an episode of Cracker. At the time, she had a regular role in the first two series of Kay Mellor's successful Band of Gold (1995–96).
Further television roles followed, including parts in period dramas such as Emma and Jane Eyre. Emma was a film adaptation of the novel of the same name published in 1815 about youthful hubris and the perils of misconstrued romance. The movie received largely positive reviews from critics and was broadcast in late 1996 on ITV, garnering an estimated 12 million viewers. In Jane Eyre, Morton starred as a Yorkshire orphan who becomes a governess to a young French girl and finds love with the brooding lord of the manor. Like her previous small-screen projects, the 1997 film originally aired on ITV.
She took on the leading role in the independent drama Under the Skin (1997), directed by Carine Adler, where she played Iris, a woman coping with the death of her mother. The movie garnered favorable reviews from writers, with The Guardian placing it at number 15 on its list of the Best British Films 1984–2009. Janet Maslin for the New York Times remarked that Morton "embodies the role with furious intensity and with a raw yet waifish presence" and James Berardinelli wrote that the actress "forces us to accept Iris as a living, breathing individual". She won the Best Actress accolade at the 1998 Boston Society of Film Critics Awards and was nominated for the BIFA Award for Best Female Performance in a British Independent Film.
Critical recognition (1999–2005)
Impressed by her performance in Under the Skin, Woody Allen cast her in Sweet and Lowdown, a romantic comedy about a fictional jazz guitarist in the 1930s (played by Sean Penn) who regards himself as the second greatest guitarist in the world. Morton played Hattie, a mute laundress and the love interest of Penn's character. The film was released in September 1999, to wide critical acclaim and moderate success at the box office in the arthouse circuit. George Perry for BBC.com found her to be "extraordinary" as an "adoring mute who suffers [...] She uses her eyes to convey meaning, reviving techniques of silent cinema". Morton earned Academy Award and Golden Globe nominations for Best Supporting Actress for her role, which was especially notable, considering the fact that she does not utter a single word of dialogue in the film. During a 2007 interview with UK's The Guardian, she remarked that her Oscar nomination meant "incredible things for me in the [United States]. I'm grateful for that. It means that [...] I'm able to support the industry".
Morton would next star in the small scale drama Jesus' Son, which found a limited release, and praise from critics. She received a Satellite Award nomination for Best Supporting Actress – Motion Picture for her performance. Her other film in 1999 was the romantic drama Dreaming of Joseph Lees, an adaptation of a story written by Catherine Linstrum set in rural England in the late 1950s; for her part, she won the Evening Standard British Film Award for Best Actress. She appeared in the biographical drama Pandaemonium (2000), directed by Julien Temple, playing Sara Coleridge, the wife of the poet Samuel Taylor Coleridge. She was nominated for a British Independent Film Award in the category of Best Actress. Morton also played a mermaid opposite Larry Mullen in the Anton Corbijn-directed promotional video for U2's "Electrical Storm", and provided the voice of Ruby for the Canadian animated series Max & Ruby from 2002 to 2003.
Morton found wider recognition and mainstream success when she took on the part of a senior precog in Steven Spielberg science fiction thriller Minority Report, opposite Tom Cruise. Although critics felt she was "slightly typecast" in her role of "feral, near-mute victim", Minority Report grossed US$358 million. She won the Saturn Award for Best Supporting Actress and the Empire Award for Best British Actress. In her next film, the drama Morvern Callar, she played a grieving young woman from Scotland who decides to escape to Spain after the suicide of her boyfriend. Writing for Rolling Stone, Peter Travers stated that Morton "fills this character study with poetic force and buoyant feeling", as part of a positive critical response, and she earned the Best Actress Award at the 5th British Independent Film Awards and the 7th Toronto Film Critics Association Awards.
In the independent drama In America (2003), directed by Jim Sheridan, Morton played the matriarch of an immigrant Irish family struggling to start a new life in New York. In America met widespread critical acclaim, with Terry Lawson of Detroit Free Press calling the film "an achingly intimate and beautifully observed account of the immigrant experience". Roger Ebert felt that Morton "reveals the power of her silences, her quiet [and] her presence", while A.O. Scott, of The New York Times, found the "blunt, inarticulate force of her feeling [...] at the center of the drama". Her performance earned her nominations for the Academy Award, the Independent Spirit Award, and the Broadcast Film Critics Association Award in the category of Best Actress.
In 2004, Morton starred as a love interest in the dystopian film Code 46, directed by Michael Winterbottom and alongside Tim Robbins, and played the wife of a man who witnessed a deadly accident in the drama Enduring Love, opposite Rhys Ifans and Daniel Craig. Critics were polarized for the latter film and suggested that Morton did not have enough time on screen. Nevertheless, she earned a nomination for the Best Supporting Award at the 2004 British Independent Film Awards. In River Queen (2005), she took on the role of a young Irish woman finding herself on both sides of the wars between British and Maori during the British colonisation of New Zealand. The film was a box office success at the New Zealand box office, grossing around NZ$1 million in the country. For her role, she received a nomination for the New Zealand Screen Award for Best Leading Actress. She starred alongside Johnny Depp in the little-seen period drama The Libertine, and appeared in the drama Lassie, both of which were also released in 2005.
Biopics and directorial debut (2006–2009)
In 2006, she played the Moors murderess Myra Hindley in the television film Longford. Set between 1967 and 1997, the film depicts the relationship between the child murderer and Lord Longford, the politician who spent years campaigning (ultimately unsuccessfully) for her release. Longford was a critical success and premiered with 1.7 million viewers. Morton, however, was severely criticised by the relatives of the children who were killed by Hindley and Ian Brady, but she insisted, "It is my duty as a performer to raise issues [...] we're afraid to look at". She received a Best Supporting Actress nomination at the 59th Primetime Emmy Awards, and won at the 65th Golden Globe Awards.
Morton took on roles in four feature films in 2007. She starred as a struggling police officer in the romantic drama Expired, and portrayed a Marilyn Monroe impersonator in the dramedy Mister Lonely. Morton worked again with director Anton Corbijn in the biographical film Control, where she appeared as Deborah Curtis, wife of musician Ian Curtis from the band Joy Division, whose biography Touching from a Distance formed the basis of the film. The film was acclaimed by critics. Roger Ebert remarked that Morton was "absolutely convincing as a plucky teenage bride", and Variety magazine found her performance to be "astonishing" and "sympathetic". For Control, she was nominated for the BAFTA Award for Best Actress in a Supporting Role. Her last film of 2007 was another biopic, Elizabeth: The Golden Age, in which she played Mary, Queen of Scots.
She made part of an ensemble cast in Charlie Kaufman's postmodern drama Synecdoche, New York (2008), alongside Philip Seymour Hoffman, Michelle Williams and Emily Watson. In the film, she portrayed Hazel, one of the women in the life of a theatre director (Hoffman) whose extreme commitment to a realistic stage production begins to blur the boundaries between fiction and reality. As her character ages from 30 to 64 over the course of the story, Morton used full-face prosthetic makeup. She discovered that she was pregnant during the filming, which had a schedule that took up to 20 hours a day. The film was a box office bomb, but garnered praise from critics, appearing on many top ten lists of the year. Morton and her co-stars were eventually nominated for the Best Ensemble Performance award at the 18th Gotham Independent Film Awards. Also in 2008, she starred in The Daisy Chain, an Irish horror film about a couple who after the death of their daughter, take in an orphaned girl, only to become involved in a series of strange occurrences. It premiered at the 16th Raindance Film Festival (London; October 2008), and received a DVD release in 2010.
In the directorial debut of Jesus' Son screenwriter Oren Moverman, the war drama The Messenger (2009), Morton starred as Oliva Patterson, a widow whose husband was killed in Iraq. She was drawn to the "feminine" side of the story and found her part to be "one of the first characters [she has] played in a long time where [she has] felt so much in common", as her brother and stepfather both served as soldiers in the military forces. Critical reception towards The Messenger and Morton was unanimously favorable, with Claudia Puig of USA Today asserting that, Morton "as always, gives a subtle, excellent performance". She was nominated for Best Supporting Actress at the 14th Broadcast Film Critics Association Awards and the 25th Independent Spirit Awards.
Morton's other project of 2009 was her directorial debut, the semi-autobiographical Channel 4 drama The Unloved, which follows an eleven-year-old girl (played by Molly Windsor) growing up in a children's home in the UK's care system, and shown through her perspective. Morton wrote the story in collaboration with Tony Grisoni, and The Unloved was first broadcast on 17 May 2009, drawing nearly 2 million viewers. It premiered at the Toronto International Film Festival in September 2009. Michael Deacon, for the Daily Telegraph, praised Morton on creating an "intense" and "vivid" dramatic film. Morton won a BAFTA for her direction in 2010.
Hiatus and return to film (2010–2014)
Following a three-year hiatus from the screen to focus on her personal life and family, Morton returned in 2012. She provided the voice of Sola in the science fiction film John Carter, based on A Princess of Mars, which received mixed reviews and flopped at the box office. She next played a chief of theory in the thriller Cosmopolis, directed by David Cronenberg. Her role, described as "misjudged" by The Guardian, earned her the Best Actress in a Canadian Film Award at the Vancouver Film Critics Circle. She also served as a jury member at the 69th Venice International Film Festival in 2012.
Morton was the original voice of the artificially intelligent operating system in the 2013 romantic science fiction drama Her directed by Spike Jonze, but in post-production, she was replaced by Scarlett Johansson. She is, however, credited as an associate producer. Morton starred in the independent drama Decoding Annie Parker (2013) opposite Helen Hunt, playing a woman with breast cancer. The film was released in limited theaters, to mixed reviews from critics. Nevertheless, Betsey Sharkey of Los Angeles Times observed that the actress "gives Parker such a humility within a warm humanity that you feel an obligation to stick with her through the mounting horrors". She was awarded the Best Actress Golden Space Needle Award at the 2013 Seattle International Film Festival.
Morton starred opposite Michael Shannon in the independent thriller The Harvest (also 2013), as a controlling mother keeping her sick son in a secluded environment. Several critics such as Peter Debruge (Variety) and Nikola Grozdanovic (Indiewire) compared her role of Katherine to Kathy Bates' Annie Wilkes in Misery (1990). Her performance earned her a Best Actress Award nomination at the 2014 BloodGuts UK Horror Awards.
In Liv Ullmann's film adaptation Miss Julie (2014), alongside Colin Farrell and Jessica Chastain, Morton portrayed Kathleen, the fiancée of a valet (Farrell) who finds himself seduced by the daughter of an Anglo-Irish aristocracy (Chastain). The film screened at the Toronto International Film Festival and had a limited release in the UK, France and Spain. Miss Julie rated average with reviewers, but the cast received acclaim. Writing for The Hollywood Reporter, David Rooney thought Morton's Kathleen was "the most satisfyingly drawn character" of the film, which he considered a "ponderous, stately affair".
Roles in television (2015–present)
In 2015, Morton starred as a mother in the First World War context in Cider with Rosie, a made-for-television adaptation of the book of the same name by Laurie Lee, and took on the role of an insurance investigator charged with recovering stolen diamonds in the European limited television series The Last Panthers, inspired by the notorious Balkan jewel thieves the Pink Panthers. Morton found her character to be a "very truthful, [...] strong woman" and described her as a "female Bond". Genevieve Valentine, for The AV Club, wrote: "Morton might at first seem a tough sell as someone so hard-boiled, but the taciturn, untouchable edifice she presents is leaking just enough poison at the edges that we look forward to watching her strike—the sort of character a six-hour miniseries was made for".
Morton appeared in Fantastic Beasts and Where to Find Them (2016), a spin-off from the Harry Potter film series, with a screenplay by J. K. Rowling. In the film, she portrayed Mary Lou Barebone, the leader of an extremist group whose goals include exposing and killing wizards and witches. Fantastic Beasts grossed US$814 million at the international box office, becoming Morton's most successful and widely seen film.
She filmed the three-part television crime drama Rillington Place (also 2016), based on the case of serial killer John Christie, who murdered several women in London during 1940s and early 1950s. Morton was cast opposite Tim Roth as Christie's wife, Ethel. Intrigued by their relationship, Morton felt the depiction of the "psychological aspect of love" in the story "really developed [her] acting chops" but considered as a challenge "to play someone so submissive" as Ethel. The miniseries premiered in BBC One and was favourably received by critics. The Guardian found Morton to be "strong" in her "difficult role", and The Independent remarked that she "gave a fine, nuanced performance" as "a woman trapped under her husband’s spell".
Beginning in 2017, Morton has starred in the Hulu period drama series Harlots. She portrays Margaret Wells, the madam of a low-class brothel who seeks to improve her fortunes. The response from critics and audiences has been highly positive. The Telegraph found her to be the "standout performer", and The Atlantic noted: "While the role doesn't give Morton the same room to flex her acting muscles as, say, Woody Allen's Sweet and Lowdown, she gives depth and moral conflict to a character who could easily be a pantomime dame in the wrong hands".
As of 2019, Morton appears in the role of Alpha in The Walking Dead. Alpha is the villainous leader of the Whisperers, a mysterious group of survivors of a zombie apocalypse who—as a method of self-concealment—wear skins taken from the undead.
Morton dated actor Charlie Creed-Miles, whom she met on the set of the film The Last Yellow, in 1999. They broke up when Morton was 15 weeks pregnant with their daughter, actress Esme Creed-Miles, born 5 February 2000.
As of 2007, Morton was in a relationship with filmmaker Harry Holm (son of actor Ian Holm), whom she met while filming a music video for the band the Vitamins. Their daughter, Edie, was born on 4 January 2008, and their son, Theodore, was born in 2012. They live in Monyash, Derbyshire.
In early 2008, Morton revealed that she had been "close to death" after suffering a debilitating stroke due to being hit by a piece of 17th-century plaster that fell on her head (damaging her vertebral artery) in 2006. She was in hospital for three weeks after the incident. She withdrew from the public spotlight and took an 18-month break from film acting in order to learn to walk again.
In 2011, Morton wrote an open letter hoping her stepfather would get back in touch with her after being estranged for several years. However, it was revealed shortly afterward that her stepfather had died of prostate cancer four years previously.
Having been raised in the foster care system, Morton has often been active in causes involving the matter. In March 2009, Morton returned to her hometown to show her support for its children's homes and protest against the threatened closure, by Nottingham City Council, of one of the four establishments with 24 social-care staff facing redundancy. In 2012, Morton showed her support for the Fostering Network's annual campaign Foster Care Fortnight, and in September 2014, triggered by the Rotherham child sexual exploitation scandal, she discussed in a video interview the sexual abuse she experienced while in the foster care system as a child in Nottingham and that the police took no action when she reported the abuse. Morton had discussed the abuse previously while promoting the semi-autobiographical drama The Unloved, in an article for The Guardian.
In 2008, she was part of the Vodafone Foundation's World of Difference campaign, which gives people the opportunity to work for a charity of their choice. Whilst attending a fundraiser for the charity Medical Aid for Palestinians (MAP) in January 2009, she vowed never to work for the BBC again after their refusal to broadcast an emergency charity appeal for the victims of Israel's attack on Gaza on 27 December 2008. She was later joined by Tam Dean Burn, Pauline Goldsmith, Peter Mullan, and Alison Peebles, who also threatened to boycott the corporation. In 2009, she also fronted a television advertising recruitment campaign for social workers in the UK.
|1996||Future Lasts a Long Time||May|
|1997||Tom Jones, A Foundling||Miss Sophia Western|
|1997||This Is the Sea||Hazel Stokes|
|1997||Under the Skin||Iris Kelly|
|1999||Sweet and Lowdown||Hattie|
|1999||Dreaming of Joseph Lees||Eva|
|2002||Morvern Callar||Morvern Callar|
|2003||Code 46||Maria Gonzáles|
|2005||River Queen||Sarah O'Brian|
|2005||The Libertine||Elizabeth Barry|
|2006||Free Jimmy||Sonia||English dub|
|2007||Elizabeth: The Golden Age||Mary, Queen of Scots|
|2007||Mister Lonely||Marilyn Monroe|
|2008||Synecdoche, New York||Hazel|
|2008||The Daisy Chain||Martha Conroy|
|2009||The Messenger||Olivia Pitterson|
|2012||John Carter||Sola||Motion capture|
|2013||Decoding Annie Parker||Anne Parker|
|2015||Call Me Lucky||Herself||Documentary|
|2016||Fantastic Beasts and Where to Find Them||Mary Lou Barebone|
|2018||Two for Joy||Aisha|
|1991||Soldier Soldier||Clare Anderson||4 episodes|
|1994||Cracker||murder victim Joanne Barnes||2 episodes|
|1994||Peak Practice||homeless teenager Abbey||1 episode|
|1995–1996||Band of Gold||Naomi 'Tracey' Richardson||12 episodes|
|1996||Emma||Harriet Smith||Television film|
|1997||The History of Tom Jones: A Foundling||Sophia Western||5 episodes|
|1997||Jane Eyre||Jane Eyre||Television film|
|Max & Ruby||Ruby||Voice
|2006||Longford||Myra Hindley||Television film|
|2009||The Unloved||—||Television film – Director|
|2015||Cider with Rosie||Annie Lee||Television film|
|2015||The Last Panthers||Naomi||6 episodes|
|2016||Rillington Place||Ethel Christie||3 episodes|
|2017–2019||Harlots||Margaret Wells||20 episodes|
|2019–2020||The Walking Dead||Alpha||19 episodes|
|2019||I Am Kirsty||Kirsty||Television film|
Awards and nominations
Morton was made Honorary Associate of London Film School.
- Addley, Easther (5 October 2007). "'I think she is attracted to women who have difficulties. It's very emotional when she takes a role to extremes ...'". The Guardian. Guardian News and Media. Retrieved 24 January 2016.
- "Interview: Samantha Morton, actress". www.scotsman.com. Retrieved 24 January 2016.
- "Samantha Morton – "I spoke in a really broad Notts accent when I met Woody Allen, you can take the girl out of Notts, but you can't take the Notts out of the girl"". Leftlion.
- "Birth Registration Details". Ancestry.com. Archived from the original on 2 August 2012. Retrieved 13 September 2014.
- "Sam Morton: The Clifton chameleon comes homes". Nottingham Post. Retrieved 9 October 2020.
- Addley, Esther (4 October 2007). "Profile: Samantha Morton – 'I think she is attracted to women who have difficulties. It's very emotional when she takes a role to extremes ...'". The Guardian. Retrieved 15 September 2014.
- "Samantha Morton profile". Film Reference. Retrieved 13 September 2014.
- Ellis-Petersen, Hannah (30 October 2015). "Samantha Morton backs Benedict Cumberbatch's refugees appeal". The Guardian – via www.theguardian.com.
- O'Hagan, Sean (8 May 2010). "Samantha Morton: 'I could play a prostitute convincingly because my best friend was one'". The Guardian. Retrieved 15 September 2014.
- Ward, Victoria (5 March 2011). "Samantha Morton is told the stepfather she was searching for is dead". Daily Telegraph. Retrieved 11 January 2016.
- Hattenstone, Simon (24 April 2009). "I was abused for a long time and I retaliated". The Guardian. Retrieved 15 September 2014.
- "BFI Screenonline: Morton, Samantha (1977–) Biography". www.screenonline.org.uk. Retrieved 24 January 2016.
- Wazir, Burhan (17 June 2000). "Young, gifted and gabby". The Guardian. Retrieved 15 September 2014.
- Gibson, Owen (11 November 2005). "ITV calls in Jane Austen to halt slide in ratings". The Guardian. Retrieved 19 November 2014.
- "Drama – Jane Eyre – The History of Jane Eyre On-Screen". BBC. 24 September 2014. Retrieved 5 January 2017.
- "Under the Skin". The Guardian. 30 August 2009.
- "Under the Skin". Rotten Tomatoes. 1 January 1997. Retrieved 11 January 2016.
- Maslin, Janet (28 March 1998). "Movie Review – Under the Skin". The New York Times. Retrieved 11 January 2016.
- Berardinelli, James. "Under the Skin". ReelViews. Retrieved 19 November 2014.
- "Sweet and Lowdown (1999)". Box Office Mojo. Retrieved 19 September 2014.
- "Sweet and Lowdown". Rotten Tomatoes. 3 December 1999. Retrieved 19 September 2014.
- Barardinelli, James (1999). "Review: Sweet and Lowdown". Reel Reviews. Retrieved 5 December 2007.
- "Review: Sweet And Lowdown". BBC Films. Retrieved 19 September 2014.
- Iley, Chrissy. "Samantha Morton has always taken on the hard, unhappy roles. But has she finally mellowed? Just a little, Chrissy Iley discovers". The Guardian. Retrieved 19 September 2014.
- "Jesus' Son (2000)". Box Office Mojo. Retrieved 19 September 2014.
- "Jesus' Son".
- "Pandaemonium". Rotten Tomatoes. 29 June 2001. Retrieved 19 September 2014.
- "Pandaemonium (2000)".
- "FILM | Sexy Beast leads award nominees". BBC News. 26 September 2001. Retrieved 5 January 2017.
- "Samantha Morton joins U2 for new video". BreakingNews.ie. 28 August 2002. Retrieved 19 September 2014.
- Peter Bradshaw (27 June 2002). "Minority Report | Film". The Guardian. Retrieved 5 January 2017.
- Mitchell, Elvis (21 June 2002). "Movie Review – - FILM REVIEW; Halting Crime In Advance Has Its Perils". NYTimes.com. Retrieved 5 January 2017.
- "Minority Report (2002) – Critic Reviews". IMDb. 2016. Retrieved 11 January 2016.
- "Minority Report (2002)". Box Office Mojo. Retrieved 19 September 2014.
- "Academy of Science Fiction, Fantasy & Horror Films, USA (2003)".
- "Entertainment | Minority Report tops film awards". BBC News. 5 February 2003. Retrieved 5 January 2017.
- LaSalle, Nick (17 January 2003). "Morvern Callar". San Francisco Chronicle. Retrieved 5 December 2011.
- "Morvern Callar". Rotten Tomatoes. 20 December 2002. Retrieved 19 September 2014.
- "Morvern Callar". Rolling Stone. 20 December 2002. Retrieved 19 September 2014.
- "Morvern Callar".
- "In America – Movie Reviews – Rotten Tomatoes". www.rottentomatoes.com.
- Tallerico, Brian (26 November 2003). "In America Movie Review & Film Summary (2003)". Roger Ebert. Retrieved 5 January 2017.
- A. O. Scott (26 November 2003). "Movie Review – - FILM REVIEW; Charming Illegal Aliens Facing Family Upheaval". NYTimes.com. Retrieved 5 January 2017.
- "The 76th Academy Awards – 2004". Academy of Motion Picture Arts and Sciences. Retrieved 21 November 2014.
- Fauth, Jurgen; Dermansky, Marcy. "2004 Indie Spirit Award Nominations". About.com. Retrieved 21 November 2014.
- Feiwell, Jill (16 December 2003). "'Mystic,' 'In America' top B'cast Crix list". Variety. Retrieved 21 November 2014.
- "Code 46". BBC Films. Retrieved 19 September 2014.
- "CODE 46". Urban Cinefile. Retrieved 19 September 2014.
- "Enduring Love". Rotten Tomatoes. 29 October 2004. Retrieved 19 September 2014.
- "Enduring Love: Jolly good thriller". CANOE.ca. Archived from the original on 19 September 2014. Retrieved 19 September 2014.
- "Settled lives upended by a shared tragedy". The Seattle Times. Retrieved 19 September 2014.
- "River Queen – Movie, Reviews and Trailers, Out now on DVD/Blu-Ray". Flicks.co.nz. Retrieved 11 January 2016.
- Gregson, Fiona (May 2012). "Film Co-production Agreements Review" (PDF). Media Sector Team, Ministry for Culture and Heritage. p. 9. Retrieved 11 January 2016.
- Wakefield, Philip (17 November 2006). "Local hits up big at NZ box office". The Hollywood Reporter. Retrieved 11 January 2016.
- "Million Dollar Feature Films at New Zealand Box Offices". nzvideos.org. Retrieved 11 January 2016.
- Soares, Andre (25 August 2006). "New Zealand Film Awards 2006". Alt Film Guide. Retrieved 19 November 2014.
- "The Libertine (2005)". The Numbers. Retrieved 11 January 2016.
- "The Libertine (2005)". Box Office Mojo. Retrieved 11 January 2016.
- Holmwood, Leigh (27 October 2006). "Catherine Tate raises a smile for BBC2". The Guardian. Retrieved 19 November 2014.
- Barnes, Anthony (8 January 2006). "'Yes, I'm playing Myra Hindley. It's my duty to raise things we're afraid of'". Retrieved 15 September 2014.
- "Emmy nominees". USA Today. 19 July 2007. Retrieved 21 November 2014.
- "I thought the Globes were next month". BBC News. 14 January 2008. Retrieved 21 November 2014.
- "Mister Lonely (2008)". Box Office Mojo. Retrieved 11 January 2016.
- "Control". Rotten Tomatoes. 17 May 2007. Retrieved 11 January 2016.
- "Still in Control on the Per Theater Chart". The Numbers. 23 October 2007. Retrieved 5 January 2017.
- Ebert, Roger (25 October 2007). "Control Movie Review & Film Summary (2007)". RogerEbert.com. Retrieved 19 November 2014.
- Edwards, Russell (8 June 2007). "Control". Variety. Retrieved 6 December 2011.
- "Film Awards Winners in 2008". British Academy of Film and Television Arts. 23 December 2011. Retrieved 19 November 2014.
- "Bafta Film Awards 2008: The winners". BBC News. 10 February 2008. Retrieved 19 November 2014.
- "The Bafta nominations 2008". The Daily Telegraph. 2 February 2008. Retrieved 19 November 2014.
- Hoby, Hermione (13 May 2009). "The ultimate postmodern novel is a film | Books | guardian.co.uk". London: Guardian. Retrieved 1 September 2012.
- Chrissy Iley (25 September 2007). "Samantha Morton has always taken on the hard, unhappy roles. But has she finally mellowed? Just a little, Chrissy Iley discovers | Film". The Guardian. Retrieved 5 January 2017.
- "Synecdoche, New York". Box Office Mojo. IMDb. Retrieved 5 July 2011.
- "2008 Top Ten List". Metacritic. CBS Interactive. Retrieved 5 July 2011.
- "Winners of 18th Annual Gotham Independent Film Awards Announced" (PDF). Gotham Awards. 2 December 2008. Archived from the original (PDF) on 10 December 2014. Retrieved 21 November 2014.
- "The Daisy Chain (2008)". IMDb. 16 April 2010. Retrieved 11 January 2016.
- "The Daisy Chain | Raindance Film Festival 2008". Raindance.co.uk. 12 October 2008. Archived from the original on 26 September 2008. Retrieved 5 January 2017.
- "Irish Film Board/Bord Scannán na hÉireann – About Irish Film / News / The Daisy Chain to have its World Premiere at the Raindance Film Festival". Irishfilmboard.ie. 6 October 2008. Archived from the original on 18 November 2016. Retrieved 5 January 2017.
- "The Daisy Chain (2008)".
- "Interview: Samantha Morton, actress with a simple message". The Scotsman. 15 June 2011. Retrieved 13 September 2014.
- "Samantha Morton interview: 'I could play a prostitute convincingly because my best friend was one' | Film". The Guardian. 23 November 2016. Retrieved 5 January 2017.
- "Interview: Samantha Morton, actress with a simple message". www.scotsman.com.
- "The Messenger (2009)". Box Office Mojo. Retrieved 11 January 2016.
- "The Messenger". Metacritic. Retrieved 11 January 2016.
- "The Messenger". Rotten Tomatoes. 13 November 2009. Retrieved 11 January 2016.
- Puig, Claudia (20 November 2011). "'The Messenger' delivers a poignant tale". USA Today. Retrieved 6 December 2011.
- Dowell, Ben (18 May 2009). "TV ratings: Samantha Morton directing debut draws 2 million viewers". The Guardian. Retrieved 15 September 2014.
- Gilbert, Gerard (16 May 2009). "Look back in anger: Samantha Morton makes her directorial debut". The Independent. Retrieved 15 September 2014.
- Deacon, Michael (18 May 2009). "TV review: The Unloved (C4) and Pulling (BBC Three)". The Daily Telegraph. Retrieved 5 December 2011.
- "Television Awards Winners in 2010". British Academy of Film and Television Arts. 10 May 2010. Retrieved 19 November 2014.
- "2010 BAFTA TV Nominations". The British Theatre Guide. 11 May 2010. Archived from the original on 23 September 2015. Retrieved 19 November 2014.
- "John Carter". Rotten Tomatoes. 9 March 2012. Retrieved 11 January 2016.
- "John Carter (2012)". Box Office Mojo. Retrieved 11 January 2016.
- "2012 Official Selection". Cannes Film Festival. 5 May 2012. Retrieved 19 November 2014.
- "Cosmopolis (2012)". Box O1ffice Mojo. Retrieved 11 January 2016.
- "Cosmopolis Reviews". Metacritic. Retrieved 5 January 2017.
- Peter Bradshaw (14 June 2012). "Cosmopolis – review | Film". The Guardian. Retrieved 5 January 2017.
- "2013 VFCC Nominees Announced! |". Vancouverfilmcritics.com. 28 December 2012. Retrieved 5 January 2017.
- "Venice 2012: President Mann's eight jurors". Cineuropa. 13 July 2012. Retrieved 5 January 2017.
- Buchanan, Kyle (21 June 2013). "Exclusive: Scarlett Johansson Replaced Samantha Morton in Spike Jonze's New Film, Her". Vulture.com.
- Rosen, Christopher (12 October 2013). "7 Things To Know About Spike Jonze's 'Her'". Huffington Post.
- McNary, Dave (4 December 2013). "Samantha Morton-Helen Hunt's 'Decoding Annie Parker' Gets U.S. Distribution (EXCLUSIVE)". Variety. Retrieved 19 November 2014.
- "Decoding Annie Parker (2014)". Box Office Mojo. Retrieved 11 January 2016.
- Souter, Collin (2 May 2014). "Decoding Annie Parker Movie Review (2014)". Roger Ebert. Retrieved 5 January 2017.
- "Review: 'Decoding Annie Parker' traces discovery of breast cancer gene". LA Times. Retrieved 5 January 2017.
- "Festival Award Winners". SIFF. Archived from the original on 15 November 2016. Retrieved 5 January 2017.
- "The Harvest (2013)". IMDb. 10 April 2015. Retrieved 11 January 2016.
- "The Harvest (2013) – Release Info". IMDb. 2016. Retrieved 11 January 2016.
- Jagernauth, Kevin (3 April 2015). "Watch: First Trailer For The Terrifically Campy 'The Harvest' Starring Michael Shannon & Samantha Morton". The Playlist. Archived from the original on 24 December 2015. Retrieved 11 January 2016.
- Dalton, Stephen (30 September 2014). "'The Harvest': Frightfest Review". The Hollywood Reporter. Retrieved 11 January 2016.
- Grozdanovic, Nikola (24 July 2014). "Fantasia Review: John McNaughton's 'The Harvest' Starring Michael Shannon & Samantha Morton". Indiewire. Archived from the original on 29 November 2014. Retrieved 19 November 2014.
- Debruge, Peter (30 July 2014). "Film Review: 'The Harvest'". Variety. Retrieved 19 November 2014.
- "FrightFest 2014 – Awards". BloodGuts UK Horror. Archived from the original on 11 January 2016. Retrieved 11 January 2016.
- Punter, Jennie (22 July 2014). "Toronto Film Festival Lineup Includes Denzel Washington's 'Equalizer,' Kate Winslet's 'A Little Chaos'". Variety. Retrieved 19 November 2014.
- "Miss Julie". Boxofficemojo.com. Retrieved 5 January 2017.
- "Miss Julie".
- Dennis Harvey (7 September 2014). "'Miss Julie' Review: Jessica Chastain, Colin Farrell Don't Set Strindberg on Fire". Variety. Retrieved 5 January 2017.
- A ponderous, stately affair
- Williams, Sally (1 November 2015). "Samantha Morton: on the Last Panthers, the abuse scandal and growing up in care". Telegraph. Retrieved 5 January 2017.
- Valentine, Genevieve. "The Last Panthers · Season 1 · TV Review The Last Panthers is the anti-heist · TV Review · The A.V. Club". Avclub.com. Retrieved 5 January 2017.
- "Eddie Redmayne to star in JK Rowling's Fantastic Beasts – BBC News". Bbc.co.uk. Retrieved 4 June 2015.
- Graeme McMillan (1 June 2015). "Eddie Redmayne Officially Cast in 'Harry Potter' Prequel 'Fantastic Beasts and Where to Find Them'". The Hollywood Reporter. Prometheus Global Media. Retrieved 8 February 2016.
- Deadline, The (17 August 2015). "David Yates-Helmed 'Fantastic Beast' Filming Starts Up". Deadline. Retrieved 5 January 2017.
- "Fantastic Beasts and Where To Find Them (2016)". Box Office Mojo. 18 November 2016. Retrieved 23 January 2017.
- "Samantha Morton – Box Office". The Numbers. Retrieved 5 January 2017.
- "BBC One – Rillington Place". Bbc.co.uk. 13 December 2016. Retrieved 5 January 2017.
- "Tuesday's TV pick: Rillington Place – Celebrity News News". Reveal. 29 November 2016. Retrieved 5 January 2017.
- [dead link]
- David Chater (29 November 2016). "What's on tonight and when | Times2 | The Times & The Sunday Times". Thetimes.co.uk. Retrieved 5 January 2017.
- "Tuesday's best TV: Rillington Place; Life on the Psych Ward | Television & radio". The Guardian. Retrieved 5 January 2017.
- Sally Newall (29 November 2016). "Rillington Place, BBC1, TV review: Tim Roth and Samantha Morton lit up this dark, creepy thriller". The Independent. Retrieved 5 January 2017.
- "Harlots: Season 1 - Rotten Tomatoes" – via www.rottentomatoes.com.
- Hogan, Michael (27 March 2017). "Harlots: a bawdy romp with a dash of soap opera – review" – via www.telegraph.co.uk.
- Gilbert, Sophie (29 March 2017). "Hulu's 'Harlots' Takes a Modern View of 18th-Century Sex Work". The Atlantic.
- "'Walking Dead' Taps Samantha Morton as Iconic Villain". The Hollywood Reporter.
- Iley, Chrissy (25 September 2007). "Not afraid of the dark". The Guardian. Retrieved 10 January 2021.
- "Morton: From Nottingham to Hollywood". BBC News. 27 January 2004. Retrieved 10 January 2021.
- Martine. "Ella blows her chances of a celebrity boyfriend". Word Press. Retrieved 10 August 2012.
- Davis, Caris; Silverman, Stephen M. (10 March 2008). "Samantha Morton Reveals She Suffered a Stroke". People. Retrieved 11 January 2016.
- "Samantha Morton gets Nottingham Trent honorary degree". BBC News. 18 July 2011. Retrieved 5 December 2011.
- "Actress Sam honoured by university". Nottingham Post. Archived from the original on 14 April 2015. Retrieved 11 January 2016.
- "Samantha Morton – Honorary graduates". Nottingham Trent University Alumni Association. Retrieved 11 January 2016.
- "Samantha Morton supports threatened children's home". Nottingham Post. 9 March 2009. Archived from the original on 13 April 2009. Retrieved 13 September 2014.
- "Oscar nominated star supports Foster Care Fortnight". Fostering. 30 April 2012. Retrieved 13 September 2014.
- Hattenstone, Simon (12 September 2014). "Samantha Morton: Rotherham brought back memories of my own sexual abuse". The Guardian. Retrieved 15 September 2014.
- "Samantha Morton: 'I was abused for a long time and I retaliated'". The Guardian. 24 April 2009. Retrieved 9 October 2020.
- "Samantha's charity plea". Metro.co.uk. 23 July 2008. Archived from the original on 20 April 2013. Retrieved 5 December 2011.
- Hemley, Matthew (26 January 2009). "Actors threaten to boycott BBC over Gaza aid appeal ban". The Stage. Retrieved 15 September 2014.
- Balls, Ed (9 September 2009). "I want social work to be deservedly valued by the public". The Guardian.
- "Desert Island Discs: Samantha Morton". BBC Sounds. BBC. Retrieved 13 October 2020.
- Bahasa Indonesia
- Norsk bokmål
- Simple English
- Српски / srpski
- Srpskohrvatski / српскохрватски
- This page is based on the Wikipedia article Samantha Morton; it is used under the Creative Commons Attribution-ShareAlike 3.0 Unported License (CC-BY-SA). You may redistribute it, verbatim or modified, providing that you comply with the terms of the CC-BY-SA.